Heavy Light

Only the mind of Meg Remy can take the trauma inflicted on Earth and our childhoods and create something as wonderful as Heavy Light, another vivid and highly affecting album of experimental pop music.

The experimental project offers a deeper view of the world on new LP

Meg Remy's latest album lacks the slick, danceable energy of the 2018's outrageously good 'In A Poem Unlimited' – but there's still beauty to be found here

For Meghan Remy, "pop" is just short for "populist."

U.S. Girls isn't as much a band as an ever-mutating organism.

Heavy Light acts as a retrospective of Meg Remy's career so far, looking back on over ten years of U.S. Girls.

In Katherine Anne Porter's Ship of Fools, the author concedes that "the past is never where you think you left it" — both a comment on our f...

For the better part of a decade, Meg Remy’s U.S. Girls has been expanding and shifting. Her original self-produced tape experiments under the name bear little resemblance to the disco pop found in 2018’s critically acclaimed "In a Poem Unlimited."

(4AD)

Megan Remy's art-pop project continues to explore more expansive territory on new record

Meghan Remy (a. Girls) became a critically-revered indie-pop virtuoso with her 2018 album, In a Poem Unlimited

Heavy Light by U.S. Girls, album review by Steven Ovadia. The full-length is out today via 4AD/Royal Mountain Records and various streaming services