W H O K I L L

Upping the ante from her 2009 debut, Merrill Garbus fuses acoustic folk, R&B, funk, Afro-pop, and rock into a bold, uncompromising hybrid all her own.

Those who complain that the more experimental side of indie-rock lacks wit or a point of view will be challenged—and possibly confused—by Tune-Yards’ second album, Whokill. Merrill Garbus plays with a jolly violence rare in artists who crib from world and dance music, backing up her minimal chunks of reggae, African,…

Check out our album review of Artist's WhoKill on Rolling Stone.com.

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Merill Garbus' home-made patchwork of recordings and loops was so crucial to the success of her first tUnE-yArDs album, Bird Brains, that it seemed like lo-fi sounds were integral to her style.

tUnE-yArDs is the name 32-year-old Merrill Garbus has given her dizzying one-woman electro-percussion act.

Tune-Yards' second album is another gloriously eclectic mix, writes <strong>Killian Fox</strong>

w h o k i l l proves that Merrill Garbus isn’t just a brainy artiste with a killer voice

The captivating vocal looper has made an exhilarating second album, says <strong>Maddy Costa</strong>

tUnE-yArDs - w h o k i l l review: Don't take her life away.