In Times New Roman...
The deskbound among us might first interpret the title of Queens of the Stone Age’s eighth album as a reference to the font, but a few minutes with the music and you’ll realize that what Josh Homme refers to is a sense of decadence so total it ends with the city on fire. They remain, as ever, the hardest hard-rock band for listeners who don’t necessarily subscribe to the culture or traditions of hard rock, channeling Bowie (“Emotion Sickness”), cabaret (“Made to Parade”), and the collars-up slickness of British synth-pop (“Time & Place”) alongside the motorcycle-ready stuff you might you might expect—which they still do with more style than most (“Obscenery”). And like ZZ Top, they can rip and wink at the same time. But *In Times New Roman...* plumbs deeper personal territory than prior records. Homme has weathered the deaths of friends, the dissolution of his marriage, and other painful developments since the release of 2017’s Villains, and the album touches on all that—but he also wants to be clear about assumptions listeners could make from his lyrics. “I would never say anything about the mother of my kids or anything like that,” he tells Apple Music’s Zane Lowe. “But also, by the same token, you must write about your life, and I think I\'m soundtracking my life. These songs and the words that go with them are an emotional snapshot where you stop the film, you pull out one frame. One song it\'s like, \'I\'m lost.\' And another one, \'I\'m angry.\' They need to be these distilled versions of that, because one drop of true reality is enough flavor. I think the hatred and adoration of strangers is like the flip side of a coin. But when you\'re not doing it for the money, that currency is worthless. I can\'t get involved in what the people say. In a way, it\'s none of my fucking business.” For Homme, the breakthrough of *In Times New Roman...* came *because* he was unflinchingly honest with himself while he was writing through some of his darkest moments. “At the end of the day, the record is completely about acceptance,” Homme says. “That\'s the key. My friends have passed. Relationships have ended. Difficult situations have arisen. I\'ve had my own physical and health things go on and things like that, but I\'m okay now. I\'m 100 percent responsible for 50 percent of what\'s going on, you know what I mean? But in the last seven years, I\'ve been through a lot of situations where it doesn\'t matter if you like it or not, it\'s happening to you. And so I\'ve been forced to say, yeah, I don\'t like this, I need to figure out where I\'m at fault here or I\'m responsible here or accountable here. And also, I need to also accept it for what it is. This is the reality. Even if I don\'t like it, it would be a shame to hold on too tight to something that\'s slipping through your hands and not just accept it for what it is.”
On its angriest and heaviest record in years, the rock band restores its bluesy, primitive sound as Joshua Homme confronts his recent turmoil
Informed by a turbulent period – including a messy divorce, cancer treatment and death – the band’s eighth album is suitably bleak.
The band’s rough and raw sound feels far from the dancier moments on their last album, Villains
Joshua Homme stares straight into the darkness on Queens Of The Stone Age’s edgy eighth album…
Josh Homme designed Queens of the Stone Age as a vehicle to encourage the kind of free-flowing collaboration he cherishes.
It doesn't take a keen eye to know that the world is ending. Wildfires in Quebec have made New York and parts of Canada a barely-breathable...
It's no secret that Queens of the Stone Age leader Josh Homme has had a rough few years. While this reviewer has no interest in retreading the ins and
The best moments on ‘In Times New Roman...’ prove that Queens of the Stone Age can still reliably deliver left-of-center alt-rock thrills.
In Times New Roman... by Queens Of The Stone Age album review by Adam Williams. The band's eighth album drops on June 16, via Matador records
Queens of the Stone Age - In Times New Roman... review: In Times New Roman... relies heavily on the past, but with the band's age and experience, they just in so make an engaging album out of it.
Yusuf/Cat Stevens is not afraid to get political ahead of his Glastonbury Legends slot, Queens of the Stone Age are all gutteral machismo
Following the Mark Ronson-produced Villains, the band's new album is something of a return to earlier fare, self-produced and dispensing with any collaborators