Piano & a Microphone 1983

by 
AlbumSep 21 / 20189 songs, 34m 19s
Singer-Songwriter Soul
Popular Highly Rated

You are forgiven if you feel a little uncomfortable listening to these recordings; you were never meant to. Unearthed from roughly the period between *1999* and *Purple Rain*, these raw cassette demos of Prince accompanying himself on piano, as advertised, are less songs than sketches. (The one that grew up to be the most famous, “Purple Rain,” is more like an exquisite doodle at about a minute and a half; ditto his cover of Joni Mitchell\'s 1971 “A Case of You.”) Which is why they are, in some ways, more revelatory and astonishing than so much of his actually finished work: This is what one of the most talented humans ever to live, at the cusp of his creative and commercial peak, sounds like when he\'s *barely even trying*. It\'s no huge surprise that some of these songs never got further than his home tape recorder—“Cold Coffee & Cocaine” sounds like cold coffee and cocaine and not a whole lot else just yet. But the experience of hearing this impossibly careful artist so unguarded, singing and noodling around on a piano and trying to discover in real time whether something may be leading him somewhere special, feels intimate to the point of invasive.

8.5 / 10

This blessed collection of unreleased demos, recorded by Prince to cassette in a single take, is enthralling. It plays like both omen and artifact of his hit-making power.

C

Piano & A Microphone 1983 is an unpolished Prince gem, while Metric loses focus on Air Of Doubt, and Lonnie Holley is louder than ever on Mith. Plus, we take a look at Carrie Underwood’s sixth LP, Cry Pretty.

This home demo is the rare archival release that actually deepens our understanding of a beloved artist's process

Discover Piano & a Microphone 1983 by Prince released in 2018. Find album reviews, track lists, credits, awards and more at AllMusic.

(Warner Bros)

Intimacy may be the most striking thing about this slim but reverently presented recording.

Prince’s amazing abilities as a pianist, on embryonic hits or cover versions, are all over this posthumous album – he’s on fire here

75 %

It’s remarkable that a home cassette recording shows so much forethought.