Glory

AlbumMar 28 / 202511 songs, 41m 20s
Singer-Songwriter
Popular Highly Rated

The remarkable thing about Mike Hadreas’ music is how he manages to fit such big feelings into such small, confined spaces. Like 2020’s *Set My Heart on Fire Immediately*, 2025’s *Glory* (also produced by the ever-subtle but ever-engaging Blake Mills) channels the kind of gothic Americana that might soundtrack a David Lynch diner or the atmospheric opening credits of a show about hot werewolves: a little campy, a little dark, a lot of passions deeply felt. The bold moments here are easy to grasp (“It’s a Mirror,” “Me & Angel”), but it’s the quieter ones that make you sit up and listen (“Capezio,” “In a Row”). Once he found beauty in letting go, now he finds it in restraint.

587

8.0 / 10

Mike Hadreas’ seventh studio album brings a more elegant and capacious sound to unanswerable questions of anxiety, grief, and disconnection.

A-

9 / 10

Glory welcomes everything whether ecstatic or low-spirited, with Perfume Genius knowing that time will take it away and leave behind a masterpiece such as this record itself.

9.8 / 10

The album’s soundscape feels like a journey from self-loathing to self-acceptance.

Perhaps his most musically expansive record to date.

On Glory, his seventh studio album as Perfume Genius, Mike Hadreas pulls off another career-best.

8 / 10

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9 / 10

Mike Hadreas has nothing to prove – but maybe that’s the point. As Perfume Genius he’s gifted us with 15 years of stunning artistry, the kind of

With ‘Glory,’ Mike Hadreas delivers tactile poetry and pained self-examinations, extracting catharsis from isolation and anxiety.

7.7 / 10

Glory by Perfume Genius album review by Michael Mannix for Northern Transmissions. The artist's forthcoming LP drops on March 28 via Matador

Consummate chronicler of 21st-century sensuality Mike Hadreas returns to his indie roots on a convivial seventh album stalked by death and desire

84 %

Album Reviews: Perfume Genius - Glory

Album seven from an artist carving out his own space in the most modernist of ways. New music review by Joe Muggs

9 / 10