Tomboy
Four years on from the landmark Person Pitch, Panda Bear returns with a record that embraces both summer fun and hushed spirituality.
Since its release in 2007, Panda Bear’s Person Pitch has caused admirers to go overboard with superlatives. Here’s one more: It’s the Pet Sounds of the 21st century. Go ahead and roll your eyes, detractors—Person Pitch’s effervescence might be in the eye of the beholder, but the album’s outsized influence is…
After four years of very little solo activity, Noah Lennox returns with Tomboy — an effort that scales back on many of the infectious samples that made his third LP such an appealing record, instead inviting us into his own lush ambient-pop landscapes. While not as immediately accessible as its forerunner, Tomboy rewardingly unveils itself with each passing listen....
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Bringing an aural sharpness in contrast to the kaleidoscopic, woozy swirl of 2007’s Person Pitch, Tomboy finds Noah Lennox further straddling the experimental/pop divide with increasing dexterity.
While “You Can Count On Me,” the first song on Panda Bear’s Tomboy, is about having children and wanting to keep them safe (“Want to put a bubble ‘round you/Like a force field switch”), it could just as easily be read as a response to the pres
The Animal Collective man's fourth solo album is as rich as its predecessor, writes <strong>Hermione Hoby</strong>
<strong>Maddy Costa</strong> couldn't help but be hopelessly absorbed in Panda Bear's hypnotic new album
Released bit by bit through a series of digital downloads and singles over the past year, the reputation of Tomboy precedes itself.
Perhaps more than any other act in recent memory, Panda Bear and his Animal Collective bros spawned countless imitators, bedroom producers and jigsaw sample-snippers, bands catching and riding that re-imagined pop wave of rhythmic pastiche. The immediate nostalgia embedded in Person Pitch's aesthetic allowed it rare accessibility for an album so strange, and that it