After its own death / Walking in a spiral towards the house

by 
AlbumFeb 08 / 20194 songs, 59m 2s96%
Ambient Drone Film Score
Popular

In the depths of winter in 2017, Liz Harris—better known as the ambient folk musician Grouper—traveled to Murmansk, a post-industrial city in the Russian Arctic, for an artistic residency. *After its own death* is based on recordings created there and in another stint in the Azores, Portugal, and it’s the Arctic atmospheres that prevail. In these slow, lonely tracks—12, 16, even 21 minutes long—Harris’ multitracked vocal harmonies dissipate like foggy breath over drones so minimalist they evoke whiteout conditions. Gone are the acoustic guitar and piano of Grouper albums like *Ruins*; instead, overdriven synths buzz like flickering fluorescent bulbs at an abandoned border crossing. “After its own death: Side A” presents the core themes that will recur again and again—ethereal bell tones, growling bass, sounds of nature, and echoing footsteps—and the remainder of the album proceeds like a succession of half-forgotten memories, elements jumbling together and peeling away until all that’s left is a fuzzy outline of the deepest melancholy imaginable.

After its own death 0 - 7:48:544 Cloudmouth 7:48:544 - 8:19:489 blue room 8:17:503 - 11:27:011 Night-walking 11:27:011 -16:41:254 Funeral song 16:41:254 - 26:00:991 Thirteen (version) 26:00:991 - 28:39:125 Crying jar 28:39:125 - 29:29:394 Entry 29:29:394 - 37:33:056 Walking in a spiral towards the house 37:30:846 - end Weightless Walking in a spiral towards the house 0 - 3:14:509 Night-walking 3:14:509 - 8:37:153 Funeral song 8:37:153 - 12:59:510 Thirteen 12:59:510 - end Walking in a spiral towards the house “Crying Jar” features Michael Morley, Gabie Strong, and Christopher Reid Martin. Thanks to Matt, Marcel, Sergio, Fridaymilk, Jefre, and to Kassian. Organizational support from ZDB/Tremor, Unsound, Barbican, and the Goethe institute. For Aihna.

8.3 / 10

The new project from Grouper’s Liz Harris contains some of her most beguiling work. Spread across two long, contrasting ambient compositions, her music remains in an enigmatic class of her own.

9 / 10

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