Before and After
Anyone familiar with *Hitchhiker* or *Homegrown* or the dustier corners of the *Archives* series knows Neil Young has never subscribed to the idea of a permanent and enduring studio version of his songs. Part of what’s interesting about the sparse rerecordings on 2023’s *Before and After* is the relative obscurity of the source material, which reaches as far back as Buffalo Springfield (“Burned”) and as near as 2021’s *Barn* (“Don’t Forget Love”). The frailty of “Birds” has never sounded more beautiful, and nobody should take issue with a “Mr. Soul” stripped so bitterly bare. But the grace of the album isn’t in any single performance so much as the way it blurs the beginnings and ends of songs into each other to create a seamless ribbon of sound. Call it a “montage” (Young’s word), call it a dream (ours)—this is the sound of a 78-year-old man briefly glimpsing a life’s work from somewhere just outside himself.
The songs are rarely improved upon, with the fidelity to ruggedness giving the songs the feel of half-finished demos, but the songwriting itself is, of course, stellar.
The veteran rocker reworks favourite songs from his six-decade career in this intimate, imaginative solo set
The idiosyncratic nature of Neil Young’s ‘Before and After’ only makes it that much more appealing.
Gentle melodies and minimal instrumentation grace this live album of mostly lesser-known songs from the seven decades of Young’s career