The Future and the Past
The singer-songwriter follows up her gloriously baroque debut with an album that uses deep grooves, politicized self-portraiture, and an eye for everyday cruelty to reckon with life in the Trump era.
‘The Future and the Past’ combines soul vocals with slinky G-funk rhythms and its accompanying taut, crisp percussion.
The singer sets lyrics about the dark realities of 2018 to music that recalls the easygoing sounds of an era when Quiet Storm met soft-pop
In this week's roundup, Father John Misty takes a humble look at the times we live in, and Laura Marling partners up with Mike Lindsay
On her new album, Natalie Prass beautifully channels a host of influences whilst feeling incredibly fresh.
The Future and the Past, finds her in full on indie label territory, on New York-based ATO. The Future and the Past, fittingly, celebrates the best of both worlds and sees Prass pay homage to her quirky, cutesy, fragile roots but in a framework that is mo
Natalie Prass has ditched the baroque-pop stylings of her debut for some a lot less delicate on 'The Future And The Past - and it suits.
The singer from the Spacebomb collective scrapped two albums on the way to this brilliant final version, where old styles – soul, R&B, tropicalia – never feel retro