Everything Was Beautiful, and Nothing Hurt
With a long list of guest vocalists, Moby’s latest more melancholy album is lush but feels anemic and minor compared to some of his best work.
On 'Everything Was Beautiful, and Nothing Hurt,' the veteran electronic producer explores the end of all things with subtlety and grandeur.
It's just a hunch, but Everything Was Beautiful, And Nothing Hurt, a concept album set in a post-apocalyptic wasteland where even God has turned his back on the world, may be somewhat allegorical.
Moby is in this, just like the rest of us, and he's dealing with it, an awful lot like the rest of us.
Everything Was Beautiful, And Nothing Hurt' by Moby: Moby refines his creativity in our review of 'Everything Was Beautiful, And Nothing Hurt'
Moby - Everything Was Beautiful and Nothing Hurt review: A glimpse of the world Moby envisioned, but this time after the apocalypse...
US electronic music perennial makes the end times sound musically luscious. Review by Thomas H Green