Phantom Island
Strings and other orchestral elements add a soaring sense of adventure to prolific Melbourne ensemble King Gizzard & The Lizard Wizard’s 27th studio album. Recorded concurrently with 2024’s *Flight b741*, *Phantom Island* was made in collaboration with composer Chad Kelly and a full orchestra. Yet, there’s plenty of room for loving forays into psych, boogie rock, and other fertile territory. The opening title track even flirts with cinematic jazz in the manner of Quincy Jones or David Axelrod, before “Deadstick” leans into the interplay between guitars and horns as singer Stu Mackenzie nails some particularly pleasing falsetto. Taking flight is a recurring theme on the album, as heard on “Aerodynamic” and “Grow Wings and Fly.” Layered vocals make “Eternal Return” especially lush, with the lyrics saluting the touring life while still longing for the gum leaves and unpredictable weather of Melbourne. And between warm hand drums and funky guitar flourishes, “Panpsych” feels like the sonic equivalent of comfort food. Having played together across so many albums and tours, it’s only natural that the band members are beautifully in harmony as Kelly’s agile arrangements guide these jammy songs skyward.
The prolific Australian group lavishes its gently trippy compositions with orchestral arrangements. The results are often frustrating and overstuffed, but include occasional sparks of magic.
On Phantom Island, King Gizzard & The Lizard Wizard keep it fresh with an orchestral twist on their usual psych-rock formula.
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Phantom Palace by King Gizzard & The Lizard Wizard album review by Allen Hale for Northern Transmissions. The LP drops 6/13 via p(doom)