The Expanding Flower Planet
The Expanding Flower Planet is an album, a song, a cosmic ideal, a form of psychic expansion and expanded capability. It’s original and personal. It transmutes ethereal abstractions into crystalline harmonies and sinuous grooves. It’s music nurtured with the idea of healing, exciting, inspiring, enlightening. Drones, dissonance, warmth, and love. Even if you’re unfamiliar with Angel Deradoorian’s name, you’re likely familiar with her voice. As the former bassist and vocalist for Dirty Projectors, her lepidopteran flights helped buoy the Brooklyn-based group. She’s been a member of Avey Tare’s Slasher Flicks and sang on Flying Lotus’ “Siren Song.” Her fist song collection, 2009’s Mind Raft EP elicited praise from Pitchfork for being “passionate and lovingly crafted.” The Fader hailed her “zen weed energy” and “moody dervish spirals. But her debut LP, The Expanding Flower Planet reflects a remarkable creative journey. The title came from a tapestry hanging on the wall in front of Deradoorian’s workstation—a Chinese embroidered image of a flower mandala. “It started to represent to me the growing consciousness of the human mind in the world today,” Deradoorian says. “So the first song I wrote, which I felt appropriate for the album, was called Expanding Flower Planet and represents this desire to broaden the mind and it's capabilities beyond what we are told it can do. Others imitate the past and others divine inspiration and transmit it elsewhere. This is the latter instance. If you listen close enough, you can detect faint hints of Alice Coltrane and Can, Terry Riley, and Dorothy Ashby. A new world springs from ancient traditions—with East Indian, Middle Eastern, traditional Japanese musical inspiration aligned with Deradoorian’s singular orbit. Recorded in various locales over a period of several years, sessions began from scratch in Baltimore, 2011, before moving to her studio in LA. Some tracking was done in a church. Extra tracks were recorded at The Topaz Chamber, which belongs to Deradoorian’s friend, Kenny Gilmore. This is an album so refulgent that it actually sounds like it was made in a Topaz chamber. Roughly 90 percent was written and performed solely by Deradoorian, with assists from drummers Jeremy Hyman and Michael Lockwood, guest vocalist Niki Randa, Arlene Deradoorian and Gilmore, who helped the songs breathe. It’s essentially the offspring of a labyrinthine odyssey of self-exploration. In the course of cutting it, Deradoorian realized a more profound communion with music than she’d ever experienced. It’s salient in the songs, which glow and warp, burn brightly and float gracefully past sun and assorted stars. “It seemed endless, but eventually the shift occurred and it was like a revelation,” Deradoorian describes the epiphany. “I was incredibly grateful for when that day came. It was the first time I really had to force myself to be patient and understand that good things will take time. It won't all happen when you want it to. It'll happen when it's supposed to—when you're truly ready.”
This is Angel Deradoorian's debut solo album, but she played bass and sang in Dave Longstreth's Dirty Projectors in the Bitte Orca years, and she's one third of Avey Tare's Slasher Flicks, the most recent side project of Animal Collective's Dave Portner. Her debut album is full of unusual juxtapositions, but her voice is the thread that holds it all together, and once the album has finished, it's her voice you remember most.
With Angel Deradoorian, it’s not the exact words that matter, but rather the feeling conjured up by her voice when singing them. Time and again on The Expanding Flower Planet, Deradoorian’s first album as a solo artist, the lyrics seem to slowly shift into vowels and consonants, leaving clear language behind for…
A fine album equally concerned with the big questions as it is with personal musings on the nature of love.
Angel Deradoorian, who previously worked with The Dirty Projectors, Avey Tare and Flying Lotus, roots her debut LP in…
After proving herself to be a valuable utility player working with Dirty Projectors and Avey Tare's Slasher Flicks, among others, Angel Deradoorian has stepped out as a solo act with her first full-length solo album, and 2015's The Expanding Flower Planet gives a sense of how much she brought to other people's work as an accompanist.
The Skinny Magazine: bringing you Independent Cultural Journalism and events online and in print across Edinburgh, Glasgow, Dundee and beyond.
After leaving Dirty Projectors in 2012, Angel Deradoorian lent her hand to a number of projects, guesting on albums by the Roots, Flying Lot...
When a record is pushed as a 'cosmic ideal' by its PR team, you expect something different. And when that record has been produced by Angel Deradoorian, famed for her work as vocalist and bassline creator for New York progressives Dirty Projectors, there'