La Isla Bonita

Pitchfork 7.6/10 The weird pop veterans return with their 13th album. It's among their most accessible records, reaching for moments of escapism that never entered the frame on 2012's Breakup Songs.

A.V. Club A- Deerhoof’s La Isla Bonita is all about repetition, mantras, lacerating chords, and joyful, cacophonous catharsis. Singer-bassist Satomi Matsuzaki spits out her lyrics as if they’re divine mantras, finding profundity in the mundane, while guitarists John Dieterich and Ed Rodriguez strike an uncanny balance between…

The Line of Best Fit 8/10 The bordering on legendary San Francisco quartet prove their longevity with their 13th album.

Rolling Stone 3/5 Check out our album review of Artist's La Isla Bonita on Rolling Stone.com.

DIY 4/5 ‘La Isla Bonita’ is somehow a ferociously good pop album.

The Skinny 4/5 Fifteen seconds into the scuffed RnB of Paradise Girls, you might be forgiven for assuming you’ve got the gist of Deerhoof’s thirteenth album. After all, this sort of lunatic glitch-pop formed the backbone of previous effort Breakup Song, and the funk underpinning Satomi Matsuzaki’s ever-delirious vocals seems to suggest more of the same.

Under The Radar 7.5/10 The world doesn't realize how much it needs Deerhoof until a new Deerhoof album appears.