Zonoscope

Three years on from In Ghost Colours, Cut Copy return with a powerful new album that's less about anthems and more about movements and transitions.

“Loud speakers sound, white disco light,” goes the climactic chorus of “Pharaohs And Pyramids,” but Dan Whitford’s imprecise imagery isn’t needed: Cut Copy’s music successfully achieves synesthesia on its own throughout the Aussie quartet’s third full-length. With singer Whitford on the boards (taking over for DFA…

Cut Copy have never been able to figure out whether they're indie rock experimentalists or '80s dance purists. So they've…

Check out our album review of Artist's Zonoscope on Rolling Stone.com.

Lukewarm, with moderate highs and lows.

Australian dance-pop masters Cut Copy have never sounded better. Now on their third album, the trio seemingly sips a cocktail of discarded 1980s synths and distilled rainbows, liberally laced with timeless pop refrains.

When the sleek, stylised ‘In Ghost Colours’ saw Cut Copy’s star rise alongside the output touched by Kitsune and Ed Banger’s gold standard, the electro juggernaut seemed set to decimate everyt

Is it possible that Cut Copy has played things a little too cool?

<strong>Dave Simpson</strong> has fun with the cut-and-paste Australian electropoppers

Cut Copy - Zonoscope review: Cut Copy begin to lose their color.