Here And Nowhere Else
On their third full-length, Cleveland-bred outfit Cloud Nothings give joy a hard, sharp edge. “I was feeling pretty good about everything so I just made stuff that made me happy,” says founding member and mild-mannered chief songwriter Dylan Baldi of "Here and Nowhere Else." “I had nothing to be angry about really so the approach was more positive and less ‘fuck everything.’ I just sat down and played until I found something that I like, because I was finally in a position to do that.” Utilizing every possible opportunity to write while on the road for 18 consecutive months following the release of 2012′s "Attack on Memory," Baldi presented an album’s worth of new material to his bandmates with just days before they’d enter the studio with esteemed producer John Congleton. “I’m pretty sure every song was written in a different country,” he says. “It’s the product of only having a couple of minutes here and there.” But Cloud Nothings would enjoy a full week with Congleton at Water Music in Hoboken, New Jersey, followed by three days of mixing at his own studio in Dallas shortly thereafter. The result is Cloud Nothings, refined: impossibly melodic, white-knuckle noise-rock that shimmers with sumptuous detail, from Baldi’s lone, corkscrewing guitar to his dramatically improved singing to bassist TJ Duke’s piledriving bass lines and drummer Jayson Gerycz’s volcanic fills. “It’s more subtle,” says Baldi. “It’s not just an in-your-face rock record. There’s more going on. You can listen to a song 20 times and still hear different little things in there that you didn’t notice before. Every time I listen I notice something that I didn’t even realize we did.” It’s yet another staggering show of a progress from a songwriter and band still coming into their own.
Cloud Nothings' latest album moves in one direction and at a breakneck pace. Dylan Baldi is simply unwilling or unable to stop writing hook-filled songs, rendering Here and Nowhere Else even more tense and thrillingly conflicted than its predecessor. The band continues to make powerfully utilitarian music for people who don’t seek out this type of music just to be told what to think.
When Cloud Nothings recorded its third album, the group had a lot riding on its sound. For one, it was the first time Dylan Baldi made his one-man project truly feel like a full band, and expectations were only heightened when Steve Albini was enlisted to produce in his notoriously hands-off way. The result was Attack…
The Cleveland trio's second record is a wonderfully energetic ode to their punk rock influences.
Check out our album review of Artist's Here and Nowhere Else on Rolling Stone.com.
Considering that Cloud Nothings sprang from Dylan Baldi's gloriously unruly teenage angst, it could be damning with faint praise to say that Here and Nowhere Else is his most considered set of songs yet.
“I’m moving forward while I keep the past around me,” rasps 23-year-old Dylan Baldi on Pattern Walks, the seven-minute earth-scorcher from his Cleveland trio’s fourth album. The lyric is typical self-interrogation from Baldi, a pop-punk songwriter of remarkable nuance who has, over five years, endeared a cross-genre fanbase by nestling hardcore angst beneath melodies so perfect they’re almost edible.
When Dylan Baldi's Cloud Nothings released it in 2012, Attack on Memory was a bit of a revelation.
Cleveland's Cloud Nothings return, following up the Steve Albini-produced Attack on Memory with a John Congleton-produced Here and Nowhere Else.
Here and Nowhere Else is defined by the sound of raw energy giving way to coherence and control.
Northern Transmissions reviews Cloud Nothings' new LP Here And nowhere Else, it comes out today on Carpark records. The first single is "I'm not part of me
Dylan Baldi's latest album is brash, heads-down garage rock (almost) all the way, with enough fun and immediacy to keep things interesting, writes <strong>Lanre Bakare</strong>