Nick Of Time
You might call Bonnie Raitt’s *Nick Of Time* (1989) one of the great comeback albums of the modern rock era — except that it was more of a feat of rejuvenation than a return from oblivion. Raitt had been releasing so-so albums and generally muddling along through the ‘80s when she switched labels, found the right producer (Don Was) and added more punch to her blues-rock sound. *Nick Of Time* bristles with new-found energy and sense of purpose. Through its songs, Bonnie speaks for those hungry for a second chance and a shot at true love. Tunes like “Real Man,” “Love Letter” and “Nobody’s Girl” deal with romance in grown-up terms, while “The Road’s My Middle Name” is the declaration of a confirmed free spirit. Raitt sings with poignancy on the ballad “Too Soon To Tell” and extracts sass from sorrow on the reggaefied “Have A Heart.” And, of course, her trademark slide guitar sizzles righteously, especially on “Thing Called Love,” the album’s hit single. In the end, *Nick Of Time* is a celebration of keeping the faith and hanging on — and the music world is richer for it.
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Bonnie Raitt’s 1989 blockbuster comeback, a genre-fluid album about love, disappointment, and aging.
Prior to Nick of Time, Bonnie Raitt had been a reliable cult artist, delivering a string of solid records that were moderate successes and usually musically satisfying.