This Is How Tomorrow Moves
There was a time, not so long ago, when things felt relatively simple for Beatrice Laus: She’d write and record songs in her London bedroom, she’d post them online, the world would come to her or it wouldn’t. But it did—very much so. To such an extent and at such a dizzying clip that, still 23 and just two albums into her career, the Up Next alum found herself taking a meeting with Rick Rubin—part mystic, part producer, part institution. “I think we just wanted to meet each other,” she tells Apple Music. “The entire meeting was about life and just catching up. It was almost like a therapy session. I think at the end I was like, ‘Oh, I’ve been making some songs. Do you want to hear them?’” Those songs became part of *This Is How Tomorrow Moves*, a lush and supremely confident third full-length that Laus would go on to record with Rubin at Shangri-La, his legendary studio in Malibu—a long way from said London bedroom. It’s an album about self-realization and growing up, written in the aftermath of a breakup, as Laus—fully online and in the public eye, on tour and away from home—came to terms with a life that had become unrecognizable to her. “I really needed music to help me understand what my brain was going through,” she says. “I just had so much to say. I didn’t really think about the way it sounded. You know when you really badly need to go to the toilet? That’s what it felt like: I really badly needed to write a song.” At Shangri-La, Rubin encouraged Laus to see and hear what she’d written in its simplest and clearest emotional terms. Though she still takes plenty of inspiration from a wide swath of ’90s alt-rock and pop (“Post,” the Incubus-like “Take a Bite”), she is equally at home here at the center of a spare piano ballad (“Girl Song”) as she is amid the fanfare of an incandescent indie-folk cut (“Ever Seen”). It’s the sound of an artist finding clarity and herself, an artist leveling up. “I think being in a space like Shangri-La, and knowing that you’re making this record with Rick, it definitely kind of kicks you,” she says. “Like, ‘All right, it’s time to shine.’” Read on as Laus takes us inside a few highlights from the album. **“Girl Song”** “I think you can argue that ‘Girl Song,’ out of all the songs on the record, is the most tragic. I wrote it because I’m still trying to figure that one out, just in terms of growing up and loving myself and the way I look and physical appearance and all that mumbo jumbo. But it sits at number six, just because I just felt like it was perfect. It had to be perfectly in the middle of the record because it didn’t suit the beginning or the end. It was just how I felt at that moment.” **“Beaches”** “I wrote ‘Beaches’ because of how terrified I was getting into this. I am the sort of person that values feeling comfortable and loyalty and trusting people around me, not changing a lot of things. But I would’ve been an idiot if I had said no \[to Rubin\]. I remember my boyfriend being like, ‘Are you crazy? You have to go.’ I’m so used to making music back at home, not in a massive, fancy place.” **“The Man Who Left Too Soon”** “I actually wrote it in LA, in my hotel room. I’ve never really experienced death in family. I always wondered how that felt like. My current boyfriend, unfortunately, lost his dad around his twenties; I really got to see how that would feel like and how that would affect someone. I wanted to write about it so I can understand what that would mean to other people and what that would mean to him and what that would mean to me.” **“This Is How It Went”** “It makes me so anxious: A very intense thing happened to me, and I needed to write about it. I have to say all this shit.”
Bea Kristi’s third album, co-produced by Rick Rubin, deploys a more subdued, acoustic palette to render an accurate portrait of early adulthood.
Bea Kristi’s third album, co-produced by Rick Rubin, deploys a more subdued, acoustic palette to render an accurate portrait of early adulthood.
This Is How Tomorrows Moves beautifully documents Beabadoobee’s first spring of adulthood
On her third album, Beabadoobee takes accountability for her actions and navigates the twisting path of adulthood
This Is How Tomorrows Moves beautifully documents Beabadoobee’s first spring of adulthood
On her third album, Beabadoobee takes accountability for her actions and navigates the twisting path of adulthood
beabadoobee's 'This is How Tomorrow Moves' captures her channeling several spheres of influence with the guiding hand of a prolific producer.
beabadoobee's 'This is How Tomorrow Moves' captures her channeling several spheres of influence with the guiding hand of a prolific producer.
Beadoobee embraces the sweet sound of self-acceptance on futureproof third LP This Is How Tomorrow Moves...
Beadoobee embraces the sweet sound of self-acceptance on futureproof third LP This Is How Tomorrow Moves...
Beatrice Laus plays with breezy-trippy Bossa Nova and glossy, Swiftian country-plucked-pop
Beatrice Laus plays with breezy-trippy Bossa Nova and glossy, Swiftian country-plucked-pop
This Is How Tomorrow Moves is a sentimental and self-aware album that's emotive and infectiously catchy at times, while a little too safe at others.
This Is How Tomorrow Moves is a sentimental and self-aware album that's emotive and infectiously catchy at times, while a little too safe at others.
At first, Beabadoobee’s playful innocence was her trump card. Uploading songs to the internet as a teen, there was a refreshing lack of pose – everything
At first, Beabadoobee’s playful innocence was her trump card. Uploading songs to the internet as a teen, there was a refreshing lack of pose – everything
The British indie star and Taylor Swift support act’s hotly anticipated third album is a nuanced 21st-century take on 90s guitar, super-produced by Rick Rubin
The British indie star and Taylor Swift support act’s hotly anticipated third album is a nuanced 21st-century take on 90s guitar, super-produced by Rick Rubin
Beabadoobee's ‘This Is How Tomorrow Moves’ reveals an inner world that’s growing less phantasmic by the day.
Beabadoobee's ‘This Is How Tomorrow Moves’ reveals an inner world that’s growing less phantasmic by the day.
On her third album, 'This Is How Tomorrow Moves', Beatrice Laus, also known as beabadoobee, blends folk and rock to create a timeless fantasy world.
On her third album, 'This Is How Tomorrow Moves', Beatrice Laus, also known as beabadoobee, blends folk and rock to create a timeless fantasy world.
This Is How Tomorrow Moves by beabadoobee album review by David Saxum for Northern Transmissions. The artist's LP is now out via Dirty Hit
This Is How Tomorrow Moves by beabadoobee album review by David Saxum for Northern Transmissions. The artist's LP is now out via Dirty Hit
Beabadoobee’s third album delivers on the growth that was teased by Beatopia.
Beabadoobee’s third album delivers on the growth that was teased by Beatopia.
beabadoobee - This Is How Tomorrow Moves review: Construction on Beatopia is finally finished.
beabadoobee - This Is How Tomorrow Moves review: Construction on Beatopia is finally finished.
The Nigerian star continues to bring feel-good Afrobeats to the UK charts; Beabadoobee finds magic in a Rick Rubin collaboration
The Nigerian star continues to bring feel-good Afrobeats to the UK charts; Beabadoobee finds magic in a Rick Rubin collaboration
The 24-year-old Filipino-British songwriter’s second album marks the maturing of a fine talent
The 24-year-old Filipino-British songwriter’s second album marks the maturing of a fine talent
Beatrice “beabadoobee” Laus provides strong backup for the common argument that, particularly in the mainstream, genre is no longer particularly important. From the outset, she has consistently dissolved the mainstream/indie binary, and pulled from a grab-bag of big time and obscure influences across decades while maintaining a distinct songwriting personality of her own.
Beatrice “beabadoobee” Laus provides strong backup for the common argument that, particularly in the mainstream, genre is no longer particularly important. From the outset, she has consistently dissolved the mainstream/indie binary, and pulled from a grab-bag of big time and obscure influences across decades while maintaining a distinct songwriting personality of her own.