Luxury Problems
While many electronic music listeners in the U.K. were enthralled by dubstep and grime in the late ‘00s, that era also saw the rise of darker, less accessible sounds from a group of defiantly hermetic producers on small labels like Modern Love and Blackest Ever Black. These producers took the metronomic throb and dark minimalism of deep house pioneers like Frankie Knuckles and Virgo 4 as creative touchstones, deliberately eschewing dubstep\'s then-fashionable jungle-derived break beats. Manchester-based producer Andy Stott is among the most formidable and creative practitioners of this deeply introverted brand of U.K. techno. His 2011 release *Passed Me By* set the basic template: trudging tempos, cavernous dub-like ambiance, and house-derived beats, all enlisted in the service of creating an atmosphere of unremitting dread. On 2012’s *Luxury Problems*, Stott put another layer atop this already-compelling sound, inviting Alison Skidmore to add her spectral, unearthly vocals to his sparse, unnerving instrumentals. The result is positively mesmerizing, a haunting late-night listen that stands as one of Stott’s strongest albums.
Working with operatically trained vocalist Alison Skidmore, the Manchester producer has humanized his sound, made it more beautiful and richer on the surface while further accentuating its dark heart. The new dynamic leads to another big leap forward.
Despite being significantly more ambient and less knotty than Andy Stott's 2011 releases, which were combined and expanded that December for Passed Me By/We Stay Together, Luxury Problems is nearly as spine-chilling.
Andy Stott's follow-up to 2011's Passed Me By and We Stay Together EPs continues this trend.