Paranormal
Pushing 70, Alice Cooper still knows how to have a good time. Produced by longtime collaborator Bob Ezrin, *Paranormal* recalls the golden age of albums like *Billion Dollar Babies* and *Welcome to My Nightmare*: campy, expertly calibrated hard rock, filled with sinister intimations and gleefully dumb jokes. Just listen to the roadhouse blues of “Fallen in Love” (featuring ZZ Top’s Billy Gibbons), where Cooper bites off lines like “I’ve fallen in love and I can’t get up” without a flinch. Elsewhere, he riffs on societal degeneration (the soul-injected “Dead Flies”) and gender fluidity (“Genuine American Girl”), a subject on which the mascara-soaked Cooper was ahead of the curve by decades.
Could Alice Cooper still deliver the goods on a new record? Paranormal, is here to provide the answer...and it’s yes.
Alice Coopers first album of original material in six years features crunching riffd and ludicrous lyrics
Also Alice Cooper - Paranormal, Binker & Moses - Journey To The Mountain Of Forever, and Fairport Convention - Come All Ye: The First Ten Years
Paranormal, Cooper's first studio album since 2011's Welcome 2 My Nightmare, is a welcome surprise.
Alice Cooper's first studio release in six years shares many of the same elements as 2011's "Welcome 2 My Nightmare", which was a reimagination of Alice's first solo effort, 1975's "Welcome to My Nightmare". The album was intended as a collection of standalone songs to contrast with the previous "co...
Alice Cooper’s Paranormal is a reminder that loud, lumbering rock never goes out of style.
Alice Cooper - Paranormal review: Unyielding and showing the young'uns how it's done.
Alice returns to give his theatrical stylings an alt-rock make-over. CD New Music review by Guy Oddy