The Crossing

AlbumSep 14 / 201817 songs, 59m 39s
Alt-Country Americana

Given the political rhetoric surrounding borders, nations, and belonging, Mexican-American singer-songwriter Alejandro Escovedo’s concept albumdelivers a formidable response. Soft, string-backed piano opens *The Crossing*, but that’s the last soothing moment across the lengthy Americana- and country-leaning LP. In the tradition of protest singer-songwriters like Woody Guthrie and Bruce Cockburn, as well as more recent groups like A Tribe Called Red, Escovedo lays bare the challenges Mexicans and Mexican-Americans face throughout thumping tracks. Backed by a chorus of fervent voices on “Fury and Fire,” he challenges Donald Trump’s threat with one of his own: “The TV says that they’re gonna run us out/Call us rapists, go and build a bigger wall/We’re gonna tear it down.”

Scorching and cinematic ‘The Crossing’ follows the story of two young immigrants, one from Mexico and one from Italy, as they come to the United States to pursue their American dream and in search of their punk rock idols. Not only is it Alejandro’s first album with Yep Roc it is his first album recorded in Europe. He co-wrote and performed it with Italian band Don Antonio from Mogdilana led by guitarist and composer Antonio Gramentieri who has a rich musical history of his own in Italy with his cult band Sacri Cuori. The album was recorded in a month in Villafranca, Italy with Brian Deck co-producing. ‘The Crossing’ also features a host of guest musicians, including The Stooges’ James Williamson on Teenage Luggage and Wayne Kramer from the MC5 on ‘Sonica USA’ (both bands are name checked in the album’s lyrics as well). ‘Waiting For Me’ features Peter Perrett and John Perry from The Only Ones, recording together for the first time since 1980. Joe Ely appears on his own track, ‘Silver City’. ‘Rio Navidad,’ a spoken word song about a Texas ranger, was written by novelist and Richmond Fontaine/The Delines’ bandleader Willy Vlautin and read by his bandmate Freddy Trujillo.

In 2000, Alejandro Escovedo wrote a play with music titled By the Hand of the Father, a moving song cycle that dealt with the Mexican-American experience as families left one home behind in hopes of finding another on the other side of the border.

Despite its flaws, The Crossing is an important chapter in 2018’s cultural conversation.