Titanic Rising

Pitchfork 8.5/10 Natalie Mering’s fourth album is a grand, sentimental ode to living and loving in the shadow of doom. It is her most ambitious and complex work yet.

A.V. Club A- Indie music has been snuggling up to all things orchestral for decades. But the sumptuous textures on Titanic Rising, singer-songwriter Natalie Mering’s fourth studio album under the pseudonym Weyes Blood, are worlds away from Belle & Sebastian’s twee chamber-pop or Arcade Fire’s sweeping bombast. The record isn’t…

The Line of Best Fit 9/10 The new album from Natalie Mering is a postmodern triumph

NME 4/5 The Summer of Love ended in bloodshed and on her fourth album it’s as though Natalie Mering is looking at the era through a smeared prism

Evening Standard 4/5 Khalid - Free Spirit

Rolling Stone 4/5 Natalie Mering's blissful vintage pop trip has freakouts lurking just out of frame.

DIY 4/5 Equal parts beautifully delicate and powerful.

The Independent 5/5 Weyes Blood (Natalie Mering) accompanies her instrumental idiosyncrasies with strong, luscious melodies and unfussy lyrics on her fourth album, while Circa Waves capture youthful disillusionment on their slick pop-rock record 

Under The Radar 8.5/10 The past is compiled like a palimpsest—-the fossils of former years exerting their pressure on the new grass that grows around them. But in this repetition of the old is an incarnation of the new.

Clash 8/10 Since 2016’s ‘Front Row Seat to Earth’, Weyes Blood has worked with Ariel Pink, Jerry Paper and Drugdealer. But ‘Titanic

The Observer 4/5 Natalie Mering’s gorgeously smart fourth album

Loud and Quiet 6/10 Natalie Mering, aka Weyes Blood, ditches the psych-folk sound of presvious releases for soft rock on her fourth album ‘Titanic Rising’.

Pop Matters 8/10 In case it wasn't obvious by its album artwork, Weyes Blood's latest record goes for the cinematic.