Barking

The 90s electronic totems have seen their classic work age extremely well, yet oddly struggled to sort out a clear identity in the here and now.

Underworld spent the ’90s selling techno that was bulked up by rock-serious signifiers, particularly Karl Hyde’s stream-of-consciousness vocal rants and banks of synthesizers that didn’t hearken back to disco so much as to bloated mid-’80s new wave of the Simple Minds variety. But over time, Hyde and partner Rick…

UK-based music magazine bringing you music news, reviews, features, interviews and more