Maxinquaye
If unease were an art form, then *Maxinquaye* would be its Sistine Chapel. Thanks to its unhurried hush, the album is a make-out must, but it\'s the pervading sense of danger that makes it so sensually sinister. Tricky and Martina Topley-Bird play devil and angel on your shoulders, trading gravelly raps with cool, crystalline delivery. Despite the claustrophobic atmospheres, there\'s something for every mood, from the sultry whispers of \"Overcome\" to a thrilling Public Enemy cover, \"Black Steel.\" Listen loud—and, preferably, late at night.
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the Massive Attack associate’s 1995 debut, a gloomy unicorn of contemporary UK pop.
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Perhaps Tricky’s only truly great album, and due in no small part to Martina Topley-Bird’s vocal contribution, ‘Maxinquaye’ was the Bristol rapper’s debut and remains a dark, paranoid classi
Maxinquaye takes the glistening electronic soul of Blue Lines and smothers it in far-grittier textures.