The Time Traveller's 3rd Will & Testament

AlbumJun 30 / 202015 songs, 48m 23s

SHIPPING NOTICE!!! FOR VINYL!!! TO : UNITED STATES OF AMERICA - PLEASE NOTE.!!!! YOU CAN CHOOSE THE 'SURFACE' POSTING OPTION, WHICH IS £9.00, BUT WILL TAKE A MINIMUM OF 43 DAYS TO ARRIVE. PLEASE JUST PAY THE SET PRICE, MESSAGE US, AND WE'LL REFUND THE DIFFERENCE. WE APPRECIATE YOUR SUPPORT SO ARE HAPPY TO HELP YOU. The Total Rejection bring you 'The Time Traveller's 3rd Will And Testament'. Their Third long playing album. Filled with 'Class A' Garage Punk, Pop-Psych belters, that will eat their way into your brain, and you'll find yourself screaming "Gammon Pink faced 'politician' beaming down on me through my TV" in the strangest of places! TTR’s new LP builds on the raw sound of it’s predecessors with a further blast of psych n’ roll. Tremelo and wah wah pedals get abused to squalling effect, Keith Moon-esq drums clatter and the Hammond wails. It’s ALIVE! And THRILLING! The songs are stuffed with pop melodies and the sound has it tentacles over all manner of 60’s bands – the cover of Bohemian Vendetta’s ‘Enough’ gives a clue as to where the band’s collective head is. Elsewhere, the opener ‘Gravy’ is taut and desperate before giving way to the fuzz bass driven ‘Drilling Holes’. The ghost of Dr. Robert & Boyce & Hart oversee ‘Too Late’ and ‘She’s Gotta Go-Go’ brings the pop stomp. Standout track ‘Fly’ starts off like a violent ’65 Who before turning into a Hawkwind style psych-wigout and the meditative ‘Caravan’ gives a pause for contemplation. ‘Next Time I See You’ cheekily proves you can indeed get some 60’s ‘Satisfaction’ in the 21st Century. ‘Tracy Said’ is a breathless tale of slapstick teenage naughtiness before live favourite ‘Ain’t Gonna Lie’ leads into the mighty closer, ‘Distress Signals’. This final track is a fuzzy, violent, claustrophobic assault on the ears – A frenzy of throbbing keyboads, wah guitar and all manner of sonic mischief and madness, vibrations and sensations, The album is beautifully produced in a way it sounds like it wasn’t produced at all. Totally raw and occasionally rough-edged, exactly how music was recorded, before technology smoothed everything out to near blandness. Guitars twang, chime, fuzz and wah-wah into a frenzy of excitement, Vocals stretch beyond their abilities and occasionally scream and break, Organs swirl, and a variety of ‘strange sounds’ all of which were created by experimentation, rather than using modern day ‘plug ins’ or ‘pressing buttons’, will have you wondering, what is that?...