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Pitchfork 6.2/10 Yep, Come with Us is another let down, no two ways about it. And all because Tom Rowlands and Ed Simons seem confused about where they'd like to go.
NME 3/5 If you’d never heard a Chemicals record, you’d think it was pretty thrilling … But if you stand still on the dancefloor, you’re apt to get pushed to the sidelines.
Rolling Stone 4/5 The album title itself is a little ironic, though: The Chemical Brothers are patiently finessing their sound, paused by the side of the road and waiting for the rest of the world to catch up with their hyperkinetic, gorgeous beats.
All Music 4/5 The Chemical Brothers' best studio work has a kinetic energy and pace borrowed from the flow of their DJ sets.
Under The Radar 4.0/10 Hardly progressive and hardly surprising, the CD doesn’t exactly suck, but being predictable and obvious is nearly bad enough.
Slant 4/5 These kinds of juxtapositions (sequencers and brass together at last on the brilliant “Pioneer Skies”!) are what make the Chemical Brothers more than just beat-technicians. Yes, that’s a computer-generated outer space you’re floating through.