New Bodies
After an eventful year of touring throughout their native Australia – including runs with labelmates MONO and like- minded pioneers Tortoise – and featuring alongside the work of artist David Hockney at the National Gallery of Victoria, post-everything quintet Tangents return with another album, and another stylistic detour. New Bodies continues Tangents’ rummage through countless varieties of electronics, rock, dub, noise, and free improv jazz that defines the group’s acclaimed aesthetic. The spacious dub of a plucked cello gives way to a minimalist breakbeat tableau resting over rhythmic prepared piano; a staid electronic groove is gradually absorbed into washes of frenzied improv; staccato synths are woven into tumbling avant-rock; and shimmering free drums phase over static loops of piano, guitar and cello. To quote FACT Magazine, “The quintet are so comfortable working with jazz, folk music, post-rock and electronic music that it comfortably hangs in a space between them all.” On New Bodies, that description rings more intuitive and authentic than ever.
The Australian instrumentalists have always used their breathtaking technical dexterity to craft songs that feel like little worlds. Their fourth album fills those spaces with emotion.
Australian quintet Tangents continue to display their "post-everything" approach to improvisation on their third full-length, New Bodies, which follows the adventurous yet accessible 2016 release Stateless.
Australia's premier experimental instrumental ensemble is back with another album of eclectic, progressive fusion workouts that are wildly c...