925
The London band’s deeply self-aware debut is worthy of being taken seriously even when it’s not serious.
The London band nick ideas from the older generation as if slipping cash from their parents' purses. It's so brazen, it's exciting
It’s clear that Lorenz and O’Bryen are playing a game of imagination via music that straddles a bizarre line between art…
London indie shape-shifters Sorry first began getting attention with their self-released home demos that jumped from slinky trip-hop to nervous post-punk to dreamy shoegaze and more with each new song.
925 is a largely amorphous mass lacking in personality. Luckily, Sorry offer enough promise that forgiveness should be easy.
Childhood friends Asha Lorenz and Louis O'Bryen began their musical ventures as a cover band playing Jimi Hendrix songs. Now known as Sorry,...
Based around the creative nucleus of best friends Asha Lorenz and Louis O’Bryen, Sorry have steadily been gaining a reputation as one of the most innovative new artists to emerge from the flourishing London underground scene in recent years.
Being way more than a guitar band, DIY influencers Sorry deliver rare goods on ‘925’, and their debut album is by no means straight-forward.
London band subvert genre, gender and permanence a their slippery, intriguing debut album that demonstrates they're capable of constant change
Sorry's debut album, 925, is equal parts interesting and off-putting. They're a guitar band that sometimes uses their guitars sparingly
925 by Sorry by Sorry, album review by Adam Fink. The North London band's full-length comes out on March 27th, via Domino Records