925

Pitchfork 7.7/10 On 925, Sorry lovingly poke fun at themselves and at rock history—but they also prove they’ve got the talent to go further than their gags.

NME 5/5 It’s the sound of a generation who are the heirs to fuck all, and – despite their feigned apathy – the frustration is straight from the heart.

The Line of Best Fit 9/10 This is a confident, charismatic, too cool to care record from the London quartet, and it delights those looking for something different.

DIY 4.5/5 It’s a truly special debut, one that makes strange magic at every turn.

All Music 4/5 Their chameleonic approach is never garish, with strong songs being the main takeaway and all the experiments with production and style just the weird icing on the cake.

The Skinny 2/5 925 is a largely amorphous mass lacking in personality. Luckily, Sorry offer enough promise that forgiveness should be easy.

Under The Radar 8.5/10 It’s a thrilling and thoroughly modern album that manages to be experimental, dangerous, swaggering, unique, and also hugely accessible.

Clash 8/10 An authentic and contemporary guitar sound, ‘925’ is a snappy and raw blend that bounces the listener into the more unexpected edges of the imagination.

The Observer 3/5 925 packs in more than a few disruptive ideas. But Sorry haven’t yet acquired the musical vocabulary to pull them off.

Loud and Quiet 8/10 London band subvert genre, gender and permanence a their slippery, intriguing debut album that demonstrates they're capable of constant change

Pop Matters 5/10 Sorry's debut album, 925, is equal parts interesting and off-putting. They're a guitar band that sometimes uses their guitars sparingly