Key Markets
The title of *Key Markets—*something between Sleaford Mods' third album and their ninth, depending on how you count—refers to a '70s-era supermarket, but it's also a canny reference to the way the post-punk duo's been clawing its way up in the British music scene.
Having an opinion is what it's all about. Sleaford Mods have got loads.
Jason Williamson of Seaford Mods is a lyrical clusterbomb, full of bon mots – often expletives – and prescient observations deployed at dizzying speed.
The Nottingham duo’s third cracker of an album in as many years targets everyone from Blur to bad dope, but this time there’s more humour on show
Despite sounding like the work of a teenager, the forty-something East Midlands duo's eighth album is bracingly potent, says Neil McCormick
East Midlands’ duo take a fiery stand against Austerity Britain. CD new music review by Guy Oddy