Queen Of Me
In the six years since Shania Twain released her 2017 album *Now*, the country-pop trailblazer has been through the wringer. In 2018, she underwent open-throat surgery—an attempt to fix lingering vocal issues caused by a 2003 bout with Lyme disease—that required her to not only be conscious, but to *sing* through the operation so that the doctors could identify any misalignment. “Terrible,” she tells Apple Music. But getting her voice back after 15 years? “Euphoric.” Then, at the height of the pandemic, a bad case of COVID morphed into life-threatening pneumonia that led to Twain being airlifted to a hospital. “I was pretty much dying,” she says. But she prevailed. Twain has made a career out of turning trauma into triumph. Her warm, winking, wholesome hits have always offered more than comfort; they reframe the way we see ourselves and our circumstances for the better. Bad breakup? Relish your freedom! Disrespected? Reclaim your womanhood. Not impressed much? Demand better. On album after album, she’s led by example, processing her many hardships—a violent, abusive childhood; the death of both of her parents in a car crash; a messy divorce sparked by her husband’s affair with her best friend; and so on—through relatable, hopeful songs that depict someone stronger, bolder, brighter. On her sixth full-length, she does it again—only this time, raspier and a little more sensual with her new post-surgery voice. (She has leaned into the change, of course, noting that she “actually got more depth.”) *Queen of Me* is more complex than its bumper-sticker title lets on; these songs explore loneliness, regret, motherhood, marriage, survival, and the strength it takes to keep your head held high. These would be heavy topics in anyone else’s hands, but Twain, a seasoned, savvy songwriter, has always had a way of floating over her misfortunes, making even the most dispiriting obstacles feel surmountable and small. The woman simply refuses to wallow. Instead, she flips the script: A toxic, controlling ex inspires a toast to her financial independence (“Queen of Me”); breaking up with a dead-end narcissist sparks an empowerment anthem about knowing her worth (“Brand New”); and a harrowing near-death experience prompts a tribute to the invisible, life-giving forces we all take for granted (“Inhale/Exhale AIR”). “You celebrate when you get through something difficult,” she says. “I do, anyway.”
Working with a team of hit-making collaborators, the country-pop icon returns with a bland collection of optimistic affirmations and pumping electro-pop rhythms.
Hinting at Shania Twain’s vivacious personality, but never quite letting us in, Queen of Me isn’t as emotionally resonant as her previous works, but still manages to deliver the expected hooks
They're right at the forefront, added to the end of "Giddy Up!," the song that opens Queen of Me, effectively announcing that Shania Twain is done with the introspection that characterized her 2017 album Now.
Five Grammys under her belt and a total of 100 million records sold - Shania Twain is more than deserving of the title “Queen of Country Pop”. In the 90s,
While Shania Twain’s intentions may be direct, ‘Queen of Me’ fails to live up to its self-assured namesake. Read our review.
'Queen of Me' is not as dominating as Shania Twain's existing body of work, but it highlights a beloved household name getting to know herself better.
The Queen of country-pop sounds insincere, Raye sticks a stiletto to the patriarchy, Robert Forster urges his wife to soldier on