Come On Over

Amidst a backdrop of crunching guitar riffs, sleek drumbeats, and even the occasional synthesizer, Twain celebrates the lives of hard-working (and hard-partying) American women. She also drafted the blueprint for a generation of feisty crossover artists like Carrie Underwood. *Come on Over* is a raucous blend of Top 40 pop and mainstream country.

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Shania Twain’s 1997 blockbuster, one that showed the world the power of a true pop-country crossover.

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