Master of My Make-Believe
Four years after her genre-blending debut, Santigold offers a polished assortment of global pop tunes produced by the likes of Q-Tip, TV on the Radio's Dave Sitek, Boys Noize, and Yeah Yeah Yeahs' Nick Zinner.
Music has changed a lot in the four years since Santigold released her self-titled debut—and in her estimation, not for the better. In recent interviews, the singer has bemoaned the state of contemporary pop, singling out LMFAO for particular derision in a chat with Pitchfork, and she teased her sophomore album Master…
Santi White wants our attention. She’s certainly had it before: Almost every facet of her genre-defying 2008 debut was head…
Check out our album review of Artist's Master of My Make-Believe on Rolling Stone.com.
Santi White starts her sophomore album with explosive momentum, opening with a Karen O collaboration appropriately titled “GO!”
Santigold's hard-fought second album falls somewhere between MIA and Florence Welch, writes <strong>Kitty Empire</strong>
Santigold may not possess Kanye’s megalomaniacal charisma, but she’s just as much of a pop-music savant.
Santigold might have kicked off the trend for all-out sonic eccentricity in modern pop, but she sounds strangely subdued today, writes <strong>Rebecca Nicholson</strong>