Standing At the Sky's Edge

Pitchfork 5.1/10 Richard Hawley has described his seventh album as his "angry record." Musically, the formula he's refined for more than a decade has been blown up and tripped out with loud guitars and nods to mid-1990s bong-addled British psych-rock.

Evening Standard 4/5 This is London magazine has been established for over 65 years, providing readers with information about events, exhibitions, music, concerts, theatre and dining. As life returns to normal, Londoners are heading back into the Capital and many visitors are already coming from further afield.

DIY 4/5 What Hawley achieves on this record is an intrinsically crafted mix of familiar and exciting. Another triumph.

The Skinny 2/5 Cave dwellers! One-time Pulp and Longpigs guitarist Richard Hawley found solo success in the mid-noughties by writing melodic baroque pop that perfectly suited his rich baritone voice. He took a darker turn on 2009's Truelove's Gutter, but it's still fair to say that his decision to venture down a musical highway firmly marked 'psychedelic rock' is a brave one.

Under The Radar 7.0/10 Few artists this year are likely to take the artistic leap that Richard Hawley does with his latest album.

Clash 9/10 After the spacious soundscapes of 2009’s ‘Truelove’s Gutter’, the Sheffield-drenched psychedelia found here may surprise but, thirty years from now, crate diggers of the world will seize upon

The Observer 3/5 Grief imbues Richard Hawley's latest album, a welcome, heady flail from his more composed recent work, writes<strong> Kitty Empire</strong>

The Guardian 5/5 <p><strong>Alexis Petridis</strong>: Richard Hawley does something of a stylistic about-face without sacrificing any of his unique appeal</p>

The Irish Times 4/5 CD CHOICE: Richard Hawley/Standing at the Sky’s Edge Parlophone ****