Inform - Educate - Entertain
The British duo known as Public Service Broadcasting live in the past—way in the past. J Willgoose Esq. (guitar, piano, banjo) and Wrigglesworth (drums) dress in corduroy, button-down shirts, and neckties or bowties. The oddest thing about PSB, though, is the music: compelling motorik grooves carved with guitars, wound-up drums, and keyboards. They\'re contemporary and au courant, and it’s over these musical tracks that the duo lay vintage sound clips from radio, films, and other media. It’s an utterly arresting combination. The vocal bits feel removed enough from the *now* to lend the music another dimension. The instrumental tracks alone are great for mind-flexing or dancing, but these ghostly messengers from the past make the music somehow more powerful. From educational films to old newsreels and instructional public address system messages, voices both American and British warn of driving carelessly, express desire, or chirpily announce a “bright new era dawning.” From the groaning faux cello and urgent build-up on the opening title track to the brooding and cinematic “Late Night Final,” *Inform—Educate—Entertain* indeed manages to live up to its title.
Contains samples from BFI National Archive / COI and the Prelinger Archives. See digital booklet for more details.
Clash reviews ‘Inform - Educate - Entertain’, the new album by Public Service Broadcasting
Clash reviews ‘Inform - Educate - Entertain’, the new album by Public Service Broadcasting
Review of the new album from Public Service Broadcasting" Inform - Educate - Entertain" coming out today on Test Card and Believe Recordings.
Review of the new album from Public Service Broadcasting" Inform - Educate - Entertain" coming out today on Test Card and Believe Recordings.
More a concept than a band, Public Service Broadcasting repurpose old propaganda films to artful, stirring effect – but what does it all mean, asks <strong>Alexis Petridis</strong>
More a concept than a band, Public Service Broadcasting repurpose old propaganda films to artful, stirring effect – but what does it all mean, asks <strong>Alexis Petridis</strong>