That's It!
Though the Preservation Hall Jazz Band has been performing and recording since 1963, *That\'s It!* is their first album of entirely original material. Although it may seem counterintuitive for an ensemble devoted to maintaining the original spirit of New Orleans jazz to present all-new songs, co-producers Jim James (My Morning Jacket) and Ben Jaffe suffuse these tracks with an authentically vintage aesthetic that\'s enriched with the city\'s rich musical heritage. The style is raw and soulful, from the trumpet-blaring fanfare of the title track to the growling gospel of \"Dear Lord (Give Me the Strength).\" Still, despite all the brassy bombast, the album\'s most sublime moment comes with the haunting piano solo \"Emmalena\'s Lullaby.\"
At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band’s That’s It! (2013) is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall Jazz Band?” So It Is (2017) finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible. Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history. Both albums are now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018, and will soon be releasing new music by the band.
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The first all-originals album from the current incarnation of this New Orleans institution is a fine, eclectic outing, writes <strong>Neil Spencer</strong>
The legendary New Orleans Preservation Hall Jazz Band celebrates its 50th anniversary with its first album devoted entirely to original material, co-produced by My Morning Jacket’s Jim James
Vivid and wide-ranging tribute to New Orleans musical traditions. CD review by Matthew Wright