Heartless
Pallbearer’s third album stretches the Arkansas outfit’s brand of doom metal to mountainous new heights. More polished—but no less punishing—than *Sorrow and Extinction* or *Foundations of Burden*, *Heartless* is a gleaming bulldozer of a record, shifting effortlessly from the operatic melancholy of “Cruel Road” to “A Plea for Understanding,” which blows out the spacey grandeur of Pink Floyd to nearly 13 minutes.
Pallbearer’s third album, Heartless, is an inspired collection of monumental rock music. The band offers a complex sonic architecture that weaves together the spacious exploratory elements of classic prog, the raw anthemics of 90’s alt-rock, and stretches of black-lit proto-metal. Lyrics about mortality, life, and love are set to sharp melodies and pristine three-part harmonies. Vocalist and guitarist Brett Campbell has always been a strong, assured singer, and on Heartless, his work’s especially stunning. This may in part be due to the immediacy of the lyrics. Written by Campbell and bassist/secondary vocalist Joseph D Rowland, the words have moved from the metaphysical to something more grounded. As the group explains: “Instead of staring into to the void—both above and within—Heartless concentrates its power on a grim reality. Our lives, our homes and our world are all plumbing the depths of utter darkness, as we seek to find any shred of hope we can." Pallbearer emerged from Little Rock, Arkansas in 2012 with a stunning debut full-length, Sorrow and Extinction. The record, which played like a seamless 49-minute doom movement, melded pitch-perfect vintage sounds with a triumphant modern sensibility that made songs about death and loss feel joyfully ecstatic. Pallbearer possessed what many other newer metal groups didn't: perfect guitar tone, classic hooks, and a singer who could actually sing. For their 2014 followup, Foundations of Burden, the band worked with legendary Bay Area producer Billy Anderson (Sleep, Swans, Neurosis) for an expansive album that was musically tighter and especially adventurous. Armed with a more technical drummer, Mark Lierly, Foundations feels like it was built for larger shared spaces—you could imagine these songs ringing off the walls of a stadium. It was a hint of things to come. While the debut earned the band a Best New Music nod from Pitchfork and rightly landed the band on year-end lists at places like SPIN and NPR, along with the usual metal publications, Foundations of Burden charted on the Billboard Top 100 and earned the band album of the year from Decibel and spots on year-end lists for NPR and Rolling Stone. Returning to where it all began, the quartet recorded their third full-length, Heartless on their own in Arkansas, and it’s grander in scope, showcasing a natural progression that melds higher technicality and more ambitious structures with their most immediate hooks to date. The collection, which follows the 3-song Fear & Fury EP from earlier this year, was captured entirely on analog tape at Fellowship Hall Sound in Little Rock this past summer and then mixed by Joe Barresi (Queens of the Stone Age, Tool, Melvins, Soundgarden). From the gloriously complex, sky-lit opener “I Saw the End” to the earth-shaking (and heartbreaking) 13-minute closer “A Plea for Understanding,” the entire group puts forth the full realization of their vision: More than a doom band, Pallbearer is a rock group with a singular songwriting talent and emotional capacity. Heartless finds the group putting forth their strongest individual efforts to date: Campbell and Rowland, along with guitarist/vocalist Devin Holt and drummer Mark Lierly, turn in peak marathon performances. Both Campbell and Rowland also handle synthesizers alongside their normal duties, and there are plenty of gently strummed acoustic guitars amid the crunchy electric ones, adding a moody, ethereal spareness to the towering metal. The almost 12-minute “Dancing in Madness” opens with dark post-rock ambience and moves toward emotional blues before exploding into a sludgy psychedelic anthem. A number of the seven songs feature a humid rock swagger. By fusing their widest musical palette to date, Pallbearer make the kind of heavy rock (the heavy moments are *heavy*) that will appeal to diehards, but could also find the group crossing over into newer territories and fanbases. After having helped revitalize doom metal, it almost feels like they’ve gone and set their sights on rock and roll itself. Which doesn’t seem at all impossible on the back of a record like Heartless.
The deep cauldron of metal, prog, and doom influences have so far been a key to Pallbearer's greatness, but their third record fails to piece it all together. They have run up against their limits.
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On Pallbearer's newest doom-laced gospel Heartless, the band continue to carry the weight of its critical success following the release of F...
It's a bit of a mystery that PALLBEARER has captured the adoration of a significant amount of people outside of the scope of metal, especially because the group doesn't seem to delve into currently accessible pockets. Classic doom rides in the driver's seat, and prog, in various form, sits comfortab...
Jordan McEvoy reviews the latest album from US doom metal outfit Pallbearer. Read his review of 'Heartless' here on Distorted Sound!
Heartless offers a brilliant summation of an illustrious, though youthful, career. Its shift in tone and musical ambition may alienate some of the more stalwart fundamentalists out there, but that's the risk great artists take.
A review of Heartless by Pallbearer, available March 24th worldwide via Profound Lore and Nuclear Blast Records.
It is clear that Pallbearer are no less immune to change than their more progressive peers.