Garden Of Delete

Garden of Delete is unlike anything that Daniel Lopatin has done, in terms of technique, mood, or scope. It is denser than his previous albums, by several orders of magnitude. It is more varied, and it is funnier—scarier, too. The album carries with it a risk of whiplash that's as potent on the 15th listen as on the first.

On his eighth record, Daniel Lopatin submerges listeners in uncanny alternate realities untethered from the tenets of melody and rhythm.

Check out our album review of Artist's Garden of Delete on Rolling Stone.com.

He may not be in our world completely yet but you should keep making the trip to his.

Oneohtrix Point Never's Daniel Lopatin is the kind of artist you expect to keep evolving, even if exactly how he evolves on each album is unpredictable.

If 2013's R Plus Seven was a landscape of delicate synthwork and angelic choral sounds over a murky atmosphere, then Garden of Delete flips the script.

Drawing inspiration from his recent world tour with Nine Inch Nails, Daniel Lopatin's latest effort is particularly dark and abrasive. At ti...

ince Richard D. James first plunked out esoteric keyboard melodies and launched ambient IDM into mainstream consciousness, few producers have been as consistently creative and adept at establishing mood as Oneohtrix Point Never's Daniel Lopatin.

There was a faintly worrying buzz in the run up to the latest Oneohtrix Point Never album. It arrives (relatively) hot on the heels of a live tour where

Review: 'Garden of Delete' by Oneohtrix Point Never, the full-length comes out on November 13th via Warp Records. The lead single "I Bite Through It".

Daniel Lopatin claims Garden of Delete to be his pop album, but it’s still a deeply challenging listen

Album Reviews: Oneohtrix Point Never - Garden Of Delete

Oneohtrix Point Never - Garden of Delete review: Daniel Lopatin indulges in darker atmospheres with an erratic flair.