Will Of The People

by 
AlbumAug 26 / 20223 songs, 10m 59s
Alternative Rock Pop Rock
Popular

“It was nice to actually find something that we weren\'t good at, and actually try and get really good at it,” Muse singer Matt Bellamy tells Apple Music’s Zane Lowe. “Because metal, it turns out these metal players are absolute geniuses.” He is, of course, referring to “Kill or Be Killed,” arguably the heaviest track in the English rock band’s 28 years and nine studio albums. In many ways, it sets the tone for *Will of the People*, Muse’s ninth full-length and first LP in four years: They needed to sound louder and angrier than ever before, because they’re no longer writing about future anti-utopias—the struggles are here, now. “It feels a bit closer to reality this time,” Bellamy says. “I think in the past, a lot of our stuff\'s kind of delved into fictional dystopia, like George Orwell.” Now we’re in it, and so are the songs: The Queen-esque “Compliance” takes aim at a culture of bad-faith actors; “Liberation” is glam rock against disinformation. Frustration abounds, and the band has never sounded so large. “If I had to pick one thing that I\'m fighting for, it\'s can we create a revolution? Can we create change here, where it isn\'t violent and it doesn\'t lead to an authoritarian vision? We\'ve still got ideas and things we want to do that we haven\'t done yet. So we\'re excited for the future.” Below, Bellamy talks through some of the tracks on *Will of the People*. **“Will of the People”** “Our generation has seen this huge change. Something’s going on in the West—a kind of collapse, a kind of division has been emerging. And now we\'re dealing with real external threats. We just feel like we\'re a part of this generation where something\'s going to go down in a major way.” **“Liberation”** “It’s idealistic, but I always try to have some hope that these two schools of thought, which are opposing each other in the US right now, can come together. The question is, is there any common ground here that can be found to bring these people together? I think the common ground is that there\'s a need for systemic change, like in the way politics is done, potentially. I think the democratic structure is amazing in \[the US\], but as everyone knows, the lobbyists, there’s so much corruption there.” **“Ghosts (How Can I Move On)”** “That one is an unusual one for us. I was surprised that \[drummer\] Dom \[Howard\] and \[bassist\] Chris \[Wolstenholme\] even wanted that on the album. During the pandemic, I did a couple things on my own, just on the piano, acoustic. This song was in my mind in that world: me on the piano, singing alone. It really is a direct expression of that loneliness, and also the tragedy of what was happening for so many people.” **“Kill or Be Killed”** “It\'s the first death growl ever on a Muse record. Well, the \'ugh!\', it just came out like a high-pitched falsetto wail. Whenever I go loud, that’s where it goes. That is us going, \'Okay, if we\'re going to go heavy, let\'s go heavy.\' Dom had a different kit for everything, pretty much. But I was really pushing him on the double bass drum stuff.” **“We Are Fucking Fucked”** “That\'s the anxiety. Right there. There you go. That song literally sums them all up, I think. I don\'t have it very often, but if I did ever have a moment where, late at night, I can\'t sleep, and all those thoughts start going around, like, \'What\'s going on? All these natural disasters, all this stuff that\'s happening, civil unrest, blah, blah, blah.\' It puts you into a panic. That song was written literally at that moment.”

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3.7 / 10

Working under the auspices of another vague, dystopian narrative, the UK band slaps a shiny new label on the grafted remains of better songs and calls it the ninth Muse album.

The band ditch the awkward trend-chasing of 'Simulation Theory' to focus on politicised, guitar-oriented brutality

Even for Muse, this is an album of extremes

4 / 5

It’s the end of the world as we know it, and Muse feel fine…

A smorgasbord of dystopian-flavoured cringe.

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Muse at the top of their game | Gigwise /> <meta name=

7 / 10

Nine albums deep, Muse are back with yet another sonic uprising. In a rumble of dystopian alt rock, ‘Will Of The People’ is a call to arms; with furious

Amid an OTT blizzard of musical styles, the English rockers meet doom head on, from the climate crisis to Liz Truss

3 / 10

It's not just that Muse are naff. They also engage with the real world in such a boneheaded way that it's actively unhelpful

30 %

From the time they gave the nondescript revolution a rally cry with “Uprising,” all the way up to their new album, Will of the People, Muse have defiantly stood in the face of, well, whichever institution you hate.

Album Reviews: Muse - Will Of The People

3.5 / 5

Muse - Will of the People review: Oh my gooooddddddddddd!!!

Julia Jacklin stands up to sexual shaming, Altered Images celebrate a good night out, William Orbit cleanses his soul

Devon trio has produced another collection of beefy rock songs with ridiculously overdone riffs

Muse's ninth doesn't stick the landing despite some promise in its varied sound. Album New Music review by Tom Carr

7 / 10