I Am Not a Dog on a Chain

Mildly captivating, occasionally repetitive, and frequently ridiculous, the 13th studio album from the fabulous sulk turned red-pill pharmacist is Moz’s vision of radical truth-telling.

Morrissey shows the darker side of his age when he descends into pure cynicism.

Moz's 13th solo album verges on the avant garde, marking a bold departure. It might even be worth crossing the Twittermob line for

Album by the controversial former Smiths frontman has its moments, but they are brief and virtually lost amid the more experimental forays

What to make of a new emission from Planet Morrissey at this point in history. There was a time when global self-isolation would have been the ultimate dream scenario for a new Morrissey album; now, it is merely a deflated punchline.

The former Smiths man appoints himself as a bold truth-teller but fails to see some glaring truths about himself<br>

I do not read newspapers/ They are troublemakers,&rdquo; Morrissey croons on the title track of his 13th solo album, I Am Not a Dog on a Chain.

Bigmouth alternates between petty indignation and true artistry. New music review by Russ Coffey