Requiem for Hell
MONO are a band driven by intangible conflicts. Their albums have found inspiration in the inescapable coexistence of love and loss, faith and hopelessness, light and darkness. Fittingly, their new album, Requiem For Hell, incorporates all of those conflicts into the one universal inevitability in life: Birth, and death. Requiem For Hell finds MONO returning to longtime friend and collaborator, Steve Albini. After MONO and Albini's band, Shellac, toured Japan together last year, they realized how much they missed the (often wordless) creative dialogue they shared during the making of many of their most memorable albums – beginning with Walking Cloud and Deep Red Sky... (2004) and culminating with Hymn To Immortal Wind (2009). The rebirth of the Albini collaboration for Requiem For Hell also coincided with the birth of a close friend's first child, whose actual in utero heartbeat serves as the foundation for the aptly named "Ely's Heartbeat." For MONO, it all felt so right, so inevitable. Requiem For Hell is undeniably heavier and scarier than most of MONO's output to this point – hear the dizzying 18- minute title track for example – but it also carries some of their most sublime moments. This dichotomy is how one band’s obsession with conflict has manifested itself into one of underground music's simultaneously quietest and loudest catalogs.
Mono's ninth album looks to nothing less than the mother of all epics, Dante's The Divine Comedy, for inspiration.
The ninth album from the Japanese post-rockers exhibits all we have come to expect, with the welcome return of Steve Albini at the desk. Its a little overblown in places, but with passages of quite outstanding beauty.
Since the late 1990s, Japan's Mono have stubbornly adhered to post-rock's basic aesthetics.
Mono have built an admirable career in post-rock, blending beautifully lush soundscapes with thundering crescendos. They're also particularl...
Post-rock bastions MONO have always succeeded in forming swells of long form, spirit-purging orchestra that confronts upheaval.
James Weaver reviews the new album from Japanese instrumental outfit MONO. Read his review of Requiem For Hell here on Distorted Sound!
Mono - Requiem For Hell review: Mono aren't worth talking about anymore, but here are 356 words anyway.