Backstroke

Following hot on the heels of his universally-acclaimed Leave Luck to Heaven, Matthew Dear returns with the mini-LP Backstroke, on which he expands his stylistic boundaries and solidifies his place as not only a master of micro-house, but also as a major force in experimental pop. Here, vocals feature more prominently than ever, infusing the music with stunning accessibility and depth while more familiar elements of Dear's otherworldly style are kneaded into a perfect mix. Also at the forefront are stronger inclinations for tunefulness and the avant-garde, as dark cacophonies of swirling, disembodied voices often give way to gorgeous melodies that carry the record along seamlessly. Within all these songs, thoughtful lyrics also demonstrate a disarming penchant for the poetic that is all too rare in the increasingly clinical genre of electronic music. Showing a healthy heart at the core of the machine, the oddball pop of Backstroke accomplishes what few records can: an overwhelmingly successful fusion of disparate elements that work perfectly under the guidance of a relentlessly clever and innovative mind. "Backstroke's high quality lies in its inclusive take on the last 20 years of dance history. Dear's decision to add lyrics to the mix on his first LP, Leave Luck to Heaven, was an important one that aligned him with Lil' Louis' 'The Conversation,' New Order's 'Blue Monday,' and Plastikman's Closer. On Backstroke, Dear, who recently made Detroit his home, continues to speak about relationships, the generation gap, and even the future, while expanding his beats to include a Paradise Garage-like disco effect on 'And in the Night.' The album is sure to be a summer classic." -Earplug "Backstroke represents a step in the further development of Dear?s distinctive sound...polished and highly individual." -Little Detroit "Four stars." -Blender

Tech-house hot boy's second full-length for Ghostly International's Spectral Sound imprint fails to reach the peaks of his previous 12-inches and debut full-length.

If you're attempting to keep tabs on Matthew Dear, Backstroke arrives eight months after Leave Luck to Heaven; during the time between these releases, he produced two more singles for Spectral Sound (including one as the relatively hostile Audion) and another for Richie Hawtin's Minus label (as False), in addition to remixes for Monobox, Lusine, and Håkan Lidbo.