Butterfly Blue
Spanning dreamy indie rock, futuristic pop, and swaggering hip-hop, Grace Shaw reasserts her strengths on her debut album as Mallrat. Now based in Los Angeles, the Brisbane-born artist answers the promise of her early EPs with this passionate personal statement. Mellow and gentle before signing off with a flare of distortion, “Rockstar” reevaluates heartbreak in the context of Shaw’s long-term career ambitions. Striking contrasts continue with tracks like the mantra-like “Your Love,” which confidently samples Gangsta Pat’s vengeful “Killa, Pt. 2,” and the folky lullaby “I’m Not My Body, It’s Mine.” Azealia Banks spits a sudden burst of fire on the otherwise slinky “Surprise Me,” a Jam City and Stylaz Fuego collaboration that repurposes a children’s choir singing Phoenix’s “Lisztomania.” Alice Ivy co-produces “Teeth,” a brooding alt-rock ballad that Shaw says would have once appeared on the soundtrack of *The O.C.* Showcasing Shaw as both a savvy producer and a penetrating lyricist, *Butterfly Blue* is Mallrat’s proper star turn.
Australian singer-songwriter Grace Shaw floats between cloud rap and dream pop with the tossed-off affectations of a weary internet princess.
‘Butterfly Blue’, Australian alt-pop artist Grace Shaw’s debut album as Mallrat, sounds grand yet feels utterly relaxed.
'Butterfly Blue’ is irresistible and sees Mallrat solidify herself as an unstoppable pop force.
With her long-awaited and frequently brilliant first album, the Australian artist continues to find sublimeness in the mundane
Her charm works best when she blends teen dreams with a gentle touch on the console