Fading Trails
Nine tunes recorded in four separate studios (including Sun Studios in Mempis and Cracker’s David Lowery’s Sound of Music studio in Virginia) with three different line-ups, *Fading Trails* is still a cohesive collection of emotional heavy-weights. Singer-songwriter Jason Molina isn’t one for frivolity and his dark mood isn’t for everyone. Even at his most celebratory, Molina conveys a bleak underside with mournful vocals and lyrics that mine a restless angst. But where many of his previous albums billed as Songs: Ohia — *Didn’t It Rain* and *Ghost Tropic*, in particular — centered on a few mesmerizing chords to weave a hypnotic state, with *Fading Trails* Molina expands to more conventional ground. He’s been likened to Neil Young for his shaky, threadbare vocals and his ragged-but-right approach to recording and tunes such as “Don’t Fade On Me,” “Lonesome Valley” and “Memphis Moon” reinforce the connection. Molina’s performing modern-day classic rock: direct and unpretentious with a muscular rhythm section that can bring it from a whisper to a scream within seconds. Yet he isn’t afraid to settle on a few lone piano notes. Whatever it takes to relate the emotion and bring forth the song.
The prolific Jason Molina returns with an album that synthesizes his old, solo Songs:Ohia work with the full-band, blues-influenced rock he's been crafting for the past few years.
On Magnolia Electric Co's third album, the group takes things down a notch, not in quality but in distortion and intensity.
Jason Molina has made a career out of befuddling critics and audiences alike, from a host of different monikers and side projects -- generating a trove of...