Tha Carter VI
Hip-hop loves a franchise, and arguably none deserves more of that adoration than Lil Wayne’s *Tha Carter*. Plenty of rappers have gone the sequels route in the hopes of recapturing a vibe or reinvigorating a fanbase, but the first four installments of the Young Money impresario’s album series hit the culture like monumental events. The exhaustive way in which this quartet was discussed, dissected, ranked, and re-ranked by listeners and critics alike almost eclipsed their chart successes, securing Weezy’s spot in the G.O.A.T. debate forever. The seven-year gap between the fourth and fifth volumes felt like an eternity, especially as focus shifted towards fresh stars and new sounds. Yet even that wait came with a massive payoff—not rebooting the saga to suit the times but continuing his story in a way only he could. Another seven years may have passed, with a handful of mixtapes in between, yet this sixth volume proves well worth the wait. After the brief albeit maximalist opener “King Carter,” those who’ve missed his powerful punchlines and rich rhyme schemes are immediately rewarded with the triumphant “Welcome to Tha Carter.” As should be expected this deep into his storied career, his proverbial pen prevails on “Banned from NO” and “Peanuts 2 N Elephant,” just two examples of his devotion to the MC craft. Longtime fans will rejoice over the Mannie Fresh team-up “Bein Myself,” while those unsure of how a fortysomething Wayne fits into the contemporary mix will be corrected swiftly on the Wheezy-produced “Rari.” Though some vocally resisted his literal rock-star tendencies on records like 2010’s *Rebirth*, he remains committed to that side of his artistry. Starting with the opening moments of “Bells,” he reminds everyone listening that rap and rock share genetic material before wrapping his wordplay around an ’80s-informed flow. Mixing Weezy with Weezer, the inventive interpolation “Island Holiday” starts out like a faithful cover song until he swaps out the “hip hip” with “sip sip” and proceeds to make it his own. After a ruthless two-and-a-half-minute streak of bars, “Loki’s Theme” drops an unexpected swell of guitar soloing, leading directly into the acoustic balladry of “If I Played Guitar.” Considering his guest list includes Bono and Jelly Roll alongside Big Sean and BigXthaPlug, not to mention operatic pop icon Andrea Bocelli, clearly no one genre can contain the force that is Lil Wayne.
Seemingly written and recorded in a very expensive vacuum, the sixth chapter of Wayne’s legacy-making album series would be a disaster, if it mattered at all.
‘Tha Carter…’ isn’t so much a release series, as a way of life. Lil Wayne puts every facet of his being into the project, allowing it to become a mirror
'Tha Carter VI' is one of Lil Wayne's most meandering, insular, and uninspired efforts to date.