Dust

Pitchfork 8.2/10 On her third album for Hyperdub, Laurel Halo continues to resist classification and deflect interpretation by treating the human voice like a synthetic material to be molded and shattered.

The Line of Best Fit 9/10 Laurel Halo’s mesmerising third album occupies a liminal space, between acoustic and electronic, light and shade, coherence and messiness.

The Skinny 4/5 Laurel Halo's Dust gathers the core componentry of her previous records and couples them within a new and fascinating design, breathing so easily at times its beats are almost loose.

Under The Radar 8.0/10 With Dust, Laurel Halo lays stakes in a perfect middle ground between the bent art-pop, thumping house, and maximalist musique-concrete-as-IDM of her prior work.

Clash 7/10 Laurel Halo is an enigmatic force. Since 2012, she has released two albums combining the synth-tinged bass weight of early Detroit techno, modernist

The Observer 4/5 Another helping of strangeness and beauty on the Berlin-based US electronica artist’s third album

Pop Matters 6/10 Publicity photo via.

Spectrum Culture 80% A confounding, capricious album that dances with the freedom of having nothing to prove.