Back To Me
Canadian country singer's sophomore album explores the connection between place and identity, inviting comparisons to Lucinda Williams.
Judging from the songs on Kathleen Edwards' sophomore album, Back to Me, this is one gal who's had some unpleasant run-ins with Cupid over the years, and she's not afraid to talk about 'em. Back to Me comes charging out of the gate with "In State," in which a woman spits with no small amount of venom that she's glad her outlaw boyfriend has been sent up the river for 20 years, and the album doesn't get a whole lot more optimistic about affairs of the heart as it goes along. But Back to Me never comes off as bitter for its own sake -- sounding as if it were recorded under the influence of warm bourbon and a gray sky, the album is long on plain-spoken emotions and tough-talking guitars, but there's a fragile undertow beneath Edwards' flinty veneer that often rises to the surface, and the album's frequent bouts with bad karma are leavened by songs such as the sadly nostalgic "Pink Emerson Radio," the heartbreak of "Old Times Sake," and the title cut, in which Edwards shows her man she can give as good as she gets.