Chaos And The Calm
James Bay has a voice like a knife. On his debut full-length, the nascent English singer/songwriter fulfills the promise of his early recordings with a collection of lushly arranged rock he recorded in Nashville alongside GRAMMY®-winning producer Jacquire King. The soulful “Let It Go” features a hypnotic guitar melody and stunning vocal performance, while shades of Bruce Springsteen can be heard in the windows-down rush of “Get Out While You Can.” Elsewhere, Bay’s voice cuts through the Fleetwood Mac–like swing of “If You Ever Want To Be In Love” with veteran aplomb.
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The Brits critics’ choice churns out some predictably safe, critic-proof blues-rock anthems
In the vein of fellow Brit balladeers Tom Odell and George Ezra comes James Bay, a husky-voiced blues-rocker whose curated image invokes the impassioned troubadour.
James Bay's album is so formulaic it could have been generated by a computer programme, says Helen Brown