Kval

AlbumJan 08 / 202113 songs, 1h 14m 11s
Ambient

A necessary follow-up his first album on Ambientologist, Kval strengthens Henrik's crossing of medieval evocation and meditative ambient cello. Where Själ sought to remain non-directional in its expression, Kval turns on a central theme, guiding a narrative through the mundane and the sublime. From its slow dawn opening, the album soon turns to depictions of doubt and sorrow, from the toil of the everyday to the unbearable suffering of loss. Henrik's unmistakable grasp of emotive performance is steeped in centuries-old ancestral memory, bringing forth relatable experiences of the past. Kval visits the emotions we all face, and have faced for centuries, from the inspired to the stoic to the inescapably despaired. Among this however, is the ever-present decision to be made, whether to be owned by one's suffering or to work with it. A sense of accepting life's burden begins to seep into the narrative, at first challenging but eventually reassuring, bringing much needed peace to life's patterns. And at the end of it all, transcendence. A better view of the landscape. Crossroads, growing pains, necessary suffering, all inseparable parts of being human, and the only way to truly grow. "...scratchy, moody, and capricious laments, sustained atmospherics, and resonant lines, falling somewhere between medieval folk melodies of the North and abstract, minimal, and meditative ambience of the nowhere." - Headphone Commute "...ever mournful yet resolute." - A Closer Listen "...a sound imagined from constantly transcendent traits." - Music Won't Save You "... there is hope, light, and confidence...' - Ambient Blog "Henrik Meierkord's cello reminds us how much it is the ideal instrument to open the endless corridors of time..." - Tartine de Contrebasse "If you want a cathartic ambient hour to bawl your eyes out to, Henrik Meierkord has you covered here." - Higher Plain "Kval, just like Meierkord's expression in general, is people's soul, paganism, soil and feverish stray walks in deep forest in November. Meierkord's sound is more Swedish than Selma Lagerlöf, more European than Goethe. But above all, damn good." - 482 MHz ~ All tracks composed and performed by Henrik Meierkord Mastering by Ian Hawgood Art by Ishika Guha Design by Ambientologist