No Gods No Masters
With pop stars once again performing garish exaggerations of what seems like real personal trauma, Shirley Manson & co. have timed their return perfectly.
No Gods No Masters is a rallying cry with Garbage's distinctive flair
On the alt-rock veterans' seventh album, Shirley Manson and co. layer sounds of the past with a futuristic sheen to reveal today's horrors
Shirley Manson and Garbage deliver righteous anger and a rallying cry on album number seven, No Gods No Masters.
Both rhythmic and chaotic, it mirrors the frenetic turbulence of the times that have inspired it.
Garbage’s latest record takes aim at all of society’s ills while Maroon 5’s seventh album shows Adam Levine and co are sticking to their comfort zone
Garbage are a force to be reckoned with on 'No Gods No Masters', proving their enduring influence and relevance.
There was a time when Garbage sounded like the future with their industrial-tinged arena-sized electro grunge pop. The world has finally caught up and on their seventh studio album, No Gods No Masters, Garbage sound very much like a band of the now.
Bona-fide grunge goddess Shirley Manson and her group of accomplished Wisconsinites are back with their seventh studio album, ‘No Gods No
The album’s eclectic approach is a testament to the band’s refusal to simply mine the same sonic ground over and over again.
Arguably Garbage's most political record, 'No Gods No Masters' is simultaneously novel and familiar. It's a stark reflection of the recent overwhelming angst.
Amid the political and social turmoil, frontwoman Shirley Manson also gets personal
Shirley Manson-fronted rockers sound as vital as ever. New music review by Lisa-Marie Ferla