People Who Aren’t There Anymore
For Sam Herring, the lead singer of Baltimore’s indie mainstays Future Islands, the band’s seventh album *People Who Aren’t There Anymore* doesn’t fall neatly into the pre- or post-pandemic boxes. “The first half of the album was written within the pandemic,” he told Apple Music’s Hanuman Welch. “The second half was written after we did our first tour back. So this really elongated space with plenty of time to forget what we\'re going through, but still being in it. I think, collectively, the world is finally coming to terms with what happened between 2020 and 2022, and the sense of how much the world has changed.” Grappling with those profound changes partially made it into the band’s previous album, 2020’s *As Long As You Are*, but they come into sharper focus here. Herring mines the end of romantic relationships and the loss of friendships, and even parts ways with past iterations of himself that no longer serve a purpose, all while trying to balance the heft of grief with hard-won optimism. First single “The Tower” serves as a lynchpin between the two albums, bridging that era of what came before and what lies ahead. In true Future Islands fashion, the track fits into a familiar mythology for the band. “Within the Future Islands canon, it works perfectly, because so many songs of ours are at the sea, standing at the sea, having those thoughts,” Herring said. “I was separated from my partner, who was in Sweden, I was in the States, couldn\'t get back there, and I was just constantly fighting myself over that part of you that wants to give up. So it is a reflection of the past, and how we continue to still have those existential breakdowns, and these pivotal moments of our lives at the sea staring into the great gulf and hoping that someone\'s there.”
The Baltimore band’s latest is another emotional tour de force that tests the limits of their long-running sound.
The Baltimore band’s latest is another emotional tour de force that tests the limits of their long-running sound.
Propulsive standouts such as “The Tower” and “Peach” are just light enough on their own feet to dance to, featuring that Herring charm of being roused into a fully lived life on the merits of this stranger’s voice alone.
The Baltimore band offer more of the soaring synth-pop they made their name on – but the songs can merge into one
Propulsive standouts such as “The Tower” and “Peach” are just light enough on their own feet to dance to, featuring that Herring charm of being roused into a fully lived life on the merits of this stranger’s voice alone.
The Baltimore band offer more of the soaring synth-pop they made their name on – but the songs can merge into one
Baltimore synth-pop quartet Future Islands find striking new ground on their seventh studio album, 'People Who Aren't There Anymore.'
Baltimore synth-pop quartet Future Islands find striking new ground on their seventh studio album, 'People Who Aren't There Anymore.'
While the music is a little more inward, more reserved, it still carries all the hallmarks of the signature Future Islands sound.
While the music is a little more inward, more reserved, it still carries all the hallmarks of the signature Future Islands sound.
Ten years after their breakthrough, Baltimore trio Future Islands continue to balance refinement with ambition.
Ten years after their breakthrough, Baltimore trio Future Islands continue to balance refinement with ambition.
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For what is essentially a synth-pop band, Future Islands sure deal in some wild and cathartic emotions, thanks to uber-expressive frontman Samuel T. Herring.
For what is essentially a synth-pop band, Future Islands sure deal in some wild and cathartic emotions, thanks to uber-expressive frontman Samuel T. Herring.
It’s been four years since Baltimore’s finest synth-pop export Future Islands last gifted us a new opus - 2020’s 'As Long As You Are'. However, whilst
It’s been four years since Baltimore’s finest synth-pop export Future Islands last gifted us a new opus - 2020’s 'As Long As You Are'. However, whilst
Some perfectly constructed pop offsets dark musings on a record elevated by Samuel T Herring’s ever richer vocals
Some perfectly constructed pop offsets dark musings on a record elevated by Samuel T Herring’s ever richer vocals
Future Islands, People Who Aren’t There Anymore album review: Self-reflective breakup anthems
Future Islands, People Who Aren’t There Anymore album review: Self-reflective breakup anthems
With their seventh studio album, ‘People Who Aren’t There Anymore,’ Future Islands offers up more of the same.
With their seventh studio album, ‘People Who Aren’t There Anymore,’ Future Islands offers up more of the same.
Future Islands' new LP is that rare album where you might find yourself with the unusual but life-affirming compulsion to dance and quietly sob at the same time.
Future Islands' new LP is that rare album where you might find yourself with the unusual but life-affirming compulsion to dance and quietly sob at the same time.
People Who Aren’t There Anymore by Future Islands album review by Gareth O'Malley for Northern Transmissions, the band's LP drops on 1/26
People Who Aren’t There Anymore by Future Islands album review by Gareth O'Malley for Northern Transmissions, the band's LP drops on 1/26
The synthpop quartet’s heart-on-sleeve frontman, Samuel T Herring, is by turns lovelorn and lovestruck on their affecting seventh LP
The synthpop quartet’s heart-on-sleeve frontman, Samuel T Herring, is by turns lovelorn and lovestruck on their affecting seventh LP