Alfredo 2

Few pairings in modern hip-hop history have had the impact of Freddie Gibbs and The Alchemist. More than just another timely rapper-producer duo project, 2020’s *Alfredo* differed in tone from the former’s critically acclaimed collabs with Madlib and the latter’s work with Action Bronson, Boldy James, and Earl Sweatshirt. However, capturing the unique magic of a confirmed classic a second time around has challenged many in this genre, as so many middling sequels show. In this case, though, both artists rise to the proverbial occasion with cinematic flair, changing the thematic crime scenery from mafioso to yakuza along the way. Simply titled *Alfredo 2*, their recorded reunion draws from a corresponding short film released ahead of the album drop, the narrative playing up their perceived distance only to bring them back together in dramatic fashion. Even without that context, these 14 songs showcase what makes their partnership so dynamic. Gibbs is downright gripping from the get-go, riding the gleaming groove of “1995” with cocksure bars likening him and his cohort to *Lethal Weapon* heroes Riggs and Murtaugh. That attitude persists on the defiant “Skinny Suge II” and the profane “Lemon Pepper Steppers,” both backed by airy, jazz-inflected production. His way with words remains poetically brash, vividly detailing his point of view on cuts like “Gas Station Sushi” and “Mar-a-Lago.” Yet as good as these verses would sound even over some pretty basic boom-bap, Alchemist’s instrumentals elevate the proceedings without fail. His ability to cultivate and maintain a vibe is all but unparalelled, putting listeners at ease with the hazy comforts of “I Still Love H.E.R.” and “Jean Claude.” Elsewhere, he exercises an extraordinary restraint with the soul of “Shangri La,” never letting the samples overpower the MC.

These are heady days for rap fans. Clipse have unleashed their first – glorious – album in over 15 years, and Tyler, the Creator hit the dancefloor for a